The DATEQ TRI-O is a 19 mixer with six channels. It is particularly recommended for use in the hospitality industry, dance schools, conference centers, etc. The TRI-O has two microphone inputs and 9 stereo line inputs. Channel 1 offers a TalkOver circuit to improve the voice quality. This circuit is controlled by the microphone signal in channel 1 and ensures that this signal has priority over all others. The TalkOver function can be globally deactivated via the TalkOver button on the front panel. Three output zones are available ex works (Master A, Master B and Master C). These zones each have a 2-band equalizer as well as a balance and gain control. All outputs are provided via electronically balanced XLR and unbalanced RCA sockets. The balanced output allows the use of long signal cables.

Audac's LUNA-U is the next generation audio matrix processor. It offers the highest flexibility for audio systems and is scalable from medium to large to the largest enterprise solutions. The internal structure offers unprecedented flexibility and a wide range of options for an audio routing and mixing system. The two powerful SHARC DSPs combined with 32-bit ADC and DAC converters enable extensive signal processing with outstanding audio quality. It has 12 analogue audio inputs and 8 analogue audio line outputs. The analogue inputs are switchable between microphone and line-level inputs and have enough headroom to process high-level audio signals without clipping or distortion. In addition, the Dante Option provides 32 Dante™/AES67 channel inputs and outputs, allowing the system to be integrated with Dante™/AES67-compatible environments. The internal structure allows complete flexibility in assigning the signal path to any of the 16 stereo (or 32 mono) zones, while the powerful DSP's provide resources for DSP functions such as ALC, WaveTune on all inputs and zones, WavePreset on all direct outputs, Audio Delay, Mixing, Talk Over, 4 Level Priorities.... and many more. Special paging features and compatibility with Dante™-based paging consoles make the system even more unique. The internal Linux core brings together all the control of this system and peripherals, and also hosts an internal messaging module, a timer scheduler module and implementation options for other Linux-based functions. In addition to full network control, other options such as RS-232 and RS-485 are also implemented. The entire system is controlled via the AUDAC Touch™ app, which also takes control of the entire system, including all compatible Audac devices and peripherals.

The LUNA-F is the next-generation audio matrix processor, offering the highest flexibility for audio systems, scalable for audio distribution from medium-sized to largest to the largest enterprise solutions. The internal structure offers unseen flexibility and a number of possibilities for an audio distribution system. The powerful DSP’s (dual SHARC) combined with 32-bit ADC and DAC converters allow the most extensive signal processing with superb audio quality. It includes 12 analogue audio inputs, 8 flex channels which can be switched between in & outputs, and 8 analogue audio line outputs. The analogue inputs are switchable between microphone and line-level inputs, with sufficient headroom to accept high-level audio signals without clipping or distortion. Additionally, 64 Dante™/AES67 Channels in- & outputs are available, allowing the integration of the system with networked-based input units and being compatible with any Dante™/AES67 compatible endpoints. The inner structure allows fully flexible mapping of the signal path to any of the 16 stereo (or 32 mono) zones, while the powerful DSP’s are providing resources for DSP functions such as ALC, WaveTune on all inputs and zone, WavePreset on all direct outputs, audio delay, mixing, talk over, 4 level priorities… and many more. Specific paging functions and compatibility with Dante™ based paging consoles make the system even further unique. The internal Linux core brings the entire control of this system and peripherals together, while also accommodating an internal messaging module, timer scheduler module and implementation possibilities for further Linux-based functions. Besides the full network control, other options like RS-232 and RS-485 are also implemented. The entire system is controlled through the AUDAC Touch™ app, which also takes control of the entire system including all compatible devices and peripherals.

The Cloud CX261 is a 1U rack-mounting audio mixer ideal for use in bars, restaurants and other leisure sector premises, also offices, hotels and other multi-use areas where simple control of high quality background music needs to be combined with a flexible range of paging options.

The CX263 is the ideal solution for leisure, licensed and retail venues. This compact unit has 6 line level inputs and 2 mic inputs with paging microphone access on Mic 1. The CX263 has one stereo and two mono zones. The line inputs and mics can be independently routed to any output zone via the front panel controls, alternatively the music signals on each zone can be controlled remotely by the RL-1 (level only) or RSL-6 (source and level). Additional remote control functions can be provided by the optional serial interface card (RS232) CDI-S200 shown fitted on the rear panel which can control the music level and source on each zone, access for Mic 1 on each zone, and access for Mic 2 on each zone. This compact unit is easy to install and operate but has the flexibility to provide a solution for many differing environments.

The PRE240 series preamplifiers are solutions for applications where a large number (up to 8) of microphones (or other mono balanced audio inputs) need to be mixed to four output zones. The multifunctional stereo design with a total of 10 inputs allows connection for any type of audio source such as microphones, Bluetooth devices or line level audio sources. Inputs one up to eight are balanced, allowing the connection of microphones or line level audio sources with the ability of enabling 48V phantom power to each input. They feature 3-band tone control and talk-over for priority announcements. The other two (9 and 10) inputs are unbalanced stereo line inputs allowing connection of any type of line level audio source. An integrated Bluetooth receiver and a front panel 3.5mm jack offers convenient wired or wireless connection possibilities for mobile and portable devices including laptops, smartphones and tablets. The front panel includes a master volume control with 2-band tone control and LED VU bar for each output. Each input section is accommodated with input mixing dials and output selection switches. A priority mute for each zone output suppresses all (non-priority) music sources in case of contact closure, allowing linking autonomous alarm systems.

The PRE220 series preamplifiers are solutions for applications where a large number (up to 8) of microphones (or other mono balanced audio inputs) need to be mixed to two output zones. The multifunctional stereo design with a total of 10 inputs allows connection for any type of audio source such as microphones, Bluetooth devices or line level audio sources. Inputs one up to eight are balanced, allowing the connection of microphones or line level audio sources with the ability of enabling 48V phantom power to each input. They feature 3-band tone control and talk-over for priority announcements. The other two (9 and 10) inputs are unbalanced stereo line inputs allowing connection of any type of line level audio source. An integrated Bluetooth receiver and a front panel 3.5mm jack offers convenient wired or wireless connection possibilities for mobile and portable devices including laptops, smartphones and tablets. The front panel includes a master volume control with 2-band tone control and LED VU bar for each output. Each input section is accommodated with input mixing dials and output selection switches. A priority mute for each zone output suppresses all (non-priority) music sources in case of contact closure, allowing linking autonomous alarm systems.

The PRE126 is two-zone 6 channel stereo preamplifier containing a variety of input possibilities for microphone and line level audio signals, offering a possibility for a wide range of small to medium sized audio installations in various kinds of applications with a two-zone audio distribution system. It features two balanced mono inputs with phantom power and three band tone control allowing connection of microphones or line level signal sources. The switchable talkover function suppresses background music if a priority signal is present, making it suitable for paging or voice file announcements. The four stereo line level inputs are implemented as a balanced one fitted with XLR connectors and three unbalanced ones fitted with RCA connectors. Hereby, connection possibilities for a wide variety of line level sources is guaranteed. Additionally, an integrated Bluetooth receiver (mixed with Ch 3) and 3.5 mm jack connection on its front panel (mixed with Ch 4) are offering convenient wired or wireless connection possibilties for portable and handheld devices including laptops, smartphones and tablets. A priority mute contact suppresses all (nonpriority) music sources in case of contact closure, allowing to link autonomous alarm systems. Input volume control is done using the corresponding rotary dials on the front panel, while routing is settings are made through zone selection buttons. Each output section features a 6-segment LED VU bar, a master volume control and 2-band tone control. Connections and input or output configurations such as gain adjustment and mono/stereo switching can be done through the provided controls on the back of the device. A contact for a remote bluetooth paring is available on the back (PRE126 only).

The PRE116 is a 6 channel stereo preamplifier containing a variety of input possibilities for microphone and line level audio signals, offering a possibility for a wide range of small to medium sized audio installations in various kinds of applications. It features two balanced mono inputs with phantom power and three band tone control allowing connection of microphones or line level signal sources. The switchable talkover function suppresses background music if a priority signal is present, making it suitable for paging or voice file announcements. The four stereo line level inputs are implemented as a balanced one fitted with XLR connectors and three unbalanced ones fitted with RCA connectors. Hereby, connection possibilities for a wide variety of line level sources is guaranteed. Additionally, an integrated Bluetooth receiver (mixed with Ch 3) and 3.5 mm jack connection on its front panel (mixed with Ch 4) are offering convenient wired or wireless connection possibilties for portable and handheld devices including laptops, smartphones and tablets. A priority mute contact suppresses all (nonpriority) music sources in case of contact closure, allowing to link autonomous alarm systems. Input volume control is done using the corresponding rotary dials on the front panel, while the output section features a 6-segment LED VU bar, a master volume control and 2-band tone control. Connections and input or output configurations such as gain adjustment and mono/stereo switching can be done through the provided controls on the back of the device.

The Cloud MX155 is a cost-effective, rackmounting (1U) stereo audio mixer for use in all types of commercial premises. It is simple to install and operate and provides a useful range of features and configuration options. The mixer has five primary channels, each of which has a balanced mic input and an unbalanced stereo line input: all connections are on the rear panel. There is a further stereo auxiliary line input, with both a balanced rear panel input and an unbalanced 3.5 mm TRS jack on the front panel allowing easy connection of tablets, laptops, etc. An additional, independent mic input channel is also routed to the main output; this channel features adjustable VOX detection to allow paging use, with voice-over-programme ducking. VOX threshold is adjustable via a rear panel preset control and the depth of ducking adjustable from the front panel. The front panel provides level and HF/LF EQ controls for each of the five main channels and the mic channel; a level control for the auxiliary line input is also fitted. 15 V phantom power is available at all mic inputs, selected by internal jumpers. The stereo output of the mixer is balanced: the front panel has an output level control and an LED bargraph meter. A rear panel switch converts the output for mono operation. Headphone monitoring of the main output is available on the front panel, with an independent headphone volume control. Installers can set the maximum level of the main output via a rear panel preset control, to prevent inadvertent overloading of power amplifiers or damage to loudspeakers. The mixer has an additional unbalanced stereo line output carrying the main mix: VOX ducking affects this output, but the level is independent of the master output level control. To aid compliance with PA-VA regulations, the MX155 has a dedicated emergency input (balanced): when a signal is detected at this input, all other inputs are muted and the emergency input routed directly to the mixer output. An internal jumper determines whether the mic channel should remain unmuted in this situation; this allows it to be used for announcements in an emergency. In common with most other Cloud products, a Music Mute control input is fitted; short-circuiting the terminals here will also activate the emergency muting circuitry.

The Cloud MX141M is a cost-effective, rackmounting (1U) stereo audio mixer/media player ideal for use in all types of commercial premises. It is simple to install and operate and provides a useful range of features and configuration options. It combines an audio mixer for one of four stereo music sources plus a microphone: one of the music sources is an on-board media player which incorporates both Bluetooth® wireless technology and an FM tuner. The MX141M is supplied with an infrared remote control for the media player functions and is the perfect centrepiece for commercial sound systems in hospitality and fitness centre applications. The mixer has three unbalanced pairs of line inputs for external stereo music sources with connections on the rear panel: Input 1 also has a 3.5 mm TRS jack input on the front panel allowing easy connection of tablets, laptops, etc. Input 2 is dedicated to the internal media player/FM tuner. Input 4 is provided with an alternative, balanced pair of inputs, to permit the unit to be fed from a mixing console or other part of a separate sound system. A front panel switch selects the active line input. The MX141M has a single mic input on the front panel in the form of a “Combi type” socket which can accept either XLR or ¼” TRS jack plus. The mic signal is mixed with the selected music source; controls for level, mic on/off and HF/LF EQ are on the front panel. 12 V phantom power is available at the mic input, enabled by an internal jumper. The stereo output of the unit is available on the rear panel in balanced form on both a plug-in multipin connector and two ¼” TRS jack sockets, and also in unbalanced form on a pair of phono sockets (RCA jacks). The front panel has an output level control, HF/LF EQ adjustment and an LED bargraph meter. Installers can set the maximum level of the main outputs via a rear panel preset control, to prevent inadvertent overloading of power amplifiers or damage to loudspeakers. The unit also has an additional unbalanced stereo line output carrying the pre-fade main mix signal. The MX141M’s integral media player plays MP3 files from FAT32-formatted USB memory sticks of up to 16 GB capacity. Most common sample rates from 128 kbps to 320 kbps are allowed and up to 2,000 files can be handled. A multifunction alphanumeric LCD display and a simple set of front panel controls allow folder navigation, file selection, random/sequential play mode and most other standard player functions. The media player will also stream stereo audio from compatible devices using Bluetooth wireless technology. A Bluetooth antenna (aerial) is included with the unit: this is plugged into a front panel socket. The media player also incorporates an FM tuner with nine station memories. An FM aerial socket is fitted to the rear panel. To aid compliance with PA-VA regulations, the MX141M has a dedicated emergency input (balanced): when a signal is detected at this input, all other inputs are muted and the emergency input routed directly to the mixer output. An internal jumper determines whether the mic channel should remain unmuted in this situation; this allows it to be used for announcements in an emergency. In common with most other Cloud products, a Music Mute control input is fitted; short-circuiting the terminals here will also activate the emergency muting circuitry.

The MTX48 is the four-zone version of the MTX series, containing two balanced microphone inputs with priority function, phantom power possibility and three-band tone control. Four stereo line-level inputs are provided to which any line-level music source such as a CD-player, tuner or MP3 player can be connected. The other two inputs of the matrix are the additional wall panel inputs for both line and microphone signals. The MTX can be controlled by means of additional control panels, its fully functional web based interface or the AUDAC Touch app. Using the freely available AUDAC Touch™ application for smart devices guarantees total system control and configuration from any device on any location and at any time. The RS232 port makes the MTX compatible with any home & industrial automation systems supporting RS232. The front panel of the MTX shows a rotary button per zone with indication LEDs for accessing controls and settings. A built-in PFL loudspeaker makes it possible to pre-listen every channel without the need for a headphone. The balanced line-level zone output connections are performed using 3-pin Euro-terminal block connectors, each of them accompanied with an RJ45 connector for connecting additional wall panels for that zone. A 24 volts’ power connection makes it possible to keep the MTX running on emergency power, even if the main power is shut down.

The MTX88 is the eight-zone version of the MTX series, containing two balanced microphone inputs with priority function, phantom power possibility and three-band tone control. Four stereo line-level inputs are provided where to any line-level music source such as a CD-player, Tuner or MP3 player, ... can be connected. The other two inputs of the matrix are the additional wall panel inputs for both line and microphone signals. The MTX can be controlled by means of additional control panels, its fully functional web based interface or the iPhone/ iPad Remote app. The RS232 port makes the MTX compatible with any home & industrial automation systems supporting RS232. The front panel of the MTX shows a rotary button per zone with indication LEDs for accessing controls and settings. A built-in PFL loudspeaker makes it possible to pre-listen every channel without the need for a headphone. The balanced line-level zone output connections are performed using 3-pin Euro-terminal block connectors, each of them accompanied with an RJ45 connector for connecting additional wall panels for that zone. A 24 volts power connection makes it possible to keep the MTX running on emergency power, even if the main power is shut down.

The Musicall paging system is an audio distribution system, capable of distributing multiple sources into 8 or up to 16 independent zones. Using the control units (MRC) or the internal webpage, each zone can remotely select it’s own audio source and volume setting. The MAX8.8 is the standard central matrix. It provides 8 stereo/mono zones, 8 stereo / 16 mono RCA inputs and optional 8 local audio inputs. Each can be equipped with it’s own MRC wall controller and MRA local audio input. The Matrix can be easily configured using the internal webserver and configuration interface. The configuration interface allows easy adjustments of input sensitivity and equalizer settings, source and program names and system power up defaults. MAX8.8 is configurable for nearly all applications where Paging and Music is needed.

The Musicall paging system is an audio distribution system, capable of distributing multiple sources into 8 or up to 16 independent zones. Using the control units (MRC) or the internal webpage, each zone can remotely select it’s own audio source and volume setting. The MAX8.8D is the DAB+ central matrix. It provides 8 stereo / mono zones, 3 stereo / 6 mono RCA inputs and optional 8 local audio inputs. Each can be equipped with it’s own MRC wall controller and MRA local audio input. The Matrix can be easily configured using the internal webserver and configuration interface. The configuration interface allows easy adjustments of input sensitivity and equalizer settings, source and program names and system power up defaults. MAX8.8D is equipped with a quadruple DAB+/ FM and web stream tuner. It not only allows to receive DAB+ and FM radio stations, but also gives the option to pre listen all audio sources available within the matrix. The DAB+ and FM tuner is equipped with a 3.5 resistive touch panel to ensure easy control. MAX8.8D is configurable for nearly all applications where Paging and Music is needed.

The Musicall paging system is an audio distribution system, capable of distributing multiple sources into 8 or up to 16 independent zones. Using the control units (MRC) or the internal webpage, each zone can remotely select it’s own audio source and volume setting. The MAX8.16 is the standard central matrix. It provides 8 stereo / 16mono zones, 8 stereo / 16 mono RCA inputs and optional 16 local audio inputs. Each can be equipped with it’s own MRC wall controller and MRA local audio input. The Matrix can be easily configured using the internal webserver and configuration interface. The configuration interface allows easy adjustments of input sensitivity and equalizer settings, source and program names and system power up defaults. MAX8.16 is configurable for nearly all applications where Paging and Music is needed.

The Musicall paging system is an audio distribution system, capable of distributing multiple sources into 8 or up to 16 independent zones. Using the control units (MRC) or the internal webpage, each zone can remotely select it’s own audio source and volume setting. The MAX8.16D is the DAB+ central matrix. It provides 8 stereo / 16mono zones, 3 stereo / 6 mono RCA inputs and optional 16 local audio inputs. Each can be equipped with it’s own MRC wall controller and MRA local audio input. The Matrix can be easily configured using the internal webserver and configuration interface. The configuration interface allows easy adjustments of input sensitivity and equalizer settings, source and program names and system power up defaults. MAX8.16D is equipped with a quadruple DAB+/ FM and web stream tuner. It not only allows to receive DAB+ and FM radio stations, but also gives the option to pre listen all audio sources available within the matrix. The DAB+ and FM tuner is equipped with a 3.5 resistive touch panel to ensure easy control. MAX8.16D is configurable for nearly all applications where Paging and Music is needed.

DATEQ MAC808 is an All-in-One unit that combines all necessary functions with a 8-way Matrix and 8-Power Amplifiers each 30W. The MAC808 audio distribution system can control up to eight audio sources ans four internal FM-tuners and distribute it over up to eight amplified zones. Using the MRC wall controllers every zone can be controlled from the room, selecting the audio level and source. The MAC808 can be remotely controlled using a PC or laptop by connecting the MAC808 to a local network. Using the internal webserver the MAC808 can be fully configured. MAC808 is a complete solution for offices, in the workshop, hospitals, retirement home, Dentals etc. Everywhere a compact installation is needed for Listening music, Background music or Music for Masking purposes. Paging makes the system complete.

The LPM7.4 is a very versatile, 7 channel stereo mixer with an extraordinary high quality. At least 14 stereo signals and 7 microphones can be connected simultaneously. Herewith the LPM7.4 is introducing a new standard for professional audio. Each channel can handle three different audio signals. By pressing the button you can switch between a microphone or a line input. When the line-input is selected a second button makes it possible to switch between line 1 and line 2 input. However channels 3, 4 and 5 have one line and one phono-input. This means you can have 21 audio-inputs within reach! Another typical professional application is the balanced stereo master output on a XLR-Male connector; besides this connector there is a cinch-connector. Another nice feature of the mixer is the stereo effect-send. Each channel can be configured to send it’s signal to the effect-send output or not. This means that the effect-send output can also be used as a cleanfeed. The large 2x40 segment VU-meter is switchable between master and PFL. All switches on the master-section have a LED-indicator. The 48V phantom power is available on each microphone channel, and can be switched on with an internal jumper. Thanks to the internally modular setup, the extreme solid construction and by using only high-performance components we made the LPM7.4 an ideal partner for ‘on the road’. Of coarse the LPM7.4 has the specific characteristics of a ‘real DATEQ mixer’, which means years of satisfactory mixing! Because of the universal design the LPM7.4 has a wide area of applications. A perfect house-mix, AV-post production, disco or a multifunctional audio installation: The LPM7.4 can handle it!

The GQ600 us a precision dual channel 1/3 octave graphic equaliser which provides up to 10dB of boost or cut at 30 centre frequencies between 25Hz and 20kHz. Filter design has been carefully optimised for good interpolation and improved narrow band performance, whilst high quality long-throw 45mm sliders are used for better resolution. The GQ600 also provides excellent noise and distortion performance, with a flat noise figure of better than-98dBm. A shelving HF Trim section is provided, with adjustable gain and frequency allowing fast adjustments to be made to overall high frequency response. This obviates the need for system re-voicing when, for example, changes in humidity or audience size occur. A sweepable high-pass filter offers turnover frequencies of 10Hz to 150Hz and a fixed frequency low-pass filter is also provided for increased H.F. driver protection. This filter is selectable in or out of circuit via jumper links on the main circuit board. Audio inputs and outputs are provided on lockable XLRs and are fully electronically balanced as standard. Optional transformer balancing is also available for both inputs and outputs. Additional features include; relay fail-safe bypass, peak level indicators and optional Perspex security cover. The GQ600 is sturdily constructed from high quality components and undergoes extensive testing and quality control procedures including a minimum 48 hours burn-in period prior to despatch.

The DS8000 is a 2U, 8 input to 32 output mic/line distribution system with 16 transformer balanced isolated outputs, and 16 electronically balanced outputs fitted as standard. Input transformers and replacement of the electronically balanced outputs with transformer balanced outputs are available as options. Featuring microphone pre-amps designed by Gottelier award winning Alex Cooper, the DS8000 offers many facilities including a dual redundant power supply, simple Outside Broadcast “one to many” split switching and 48V “safe“ functions to prevent tampering. Subtle panel lighting for dark under-stage environments and the option of adding an ADC card for integration into digital networks, plus bespoke new output transformers all combine to produce a flexible, rugged high quality distribution system.

The DS8000D is a 2U, 8 input to 32 output mic/line distribution system with 16 transformer balanced isolated outputs, and 16 electronically balanced outputs fitted as standard. Input transformers and replacement of the electronically balanced outputs with transformer balanced outputs are available as options. DS8000D provides more flexibility with 2 x 8 AES outputs, with wordclock sync and master clock out. Featuring reassuring XTA quality ADCs operating at 48, 96 or 192k, this is all available in addtiion to the already comprehensive analogue output makeup. Featuring microphone pre-amps designed by Gottelier award winning Alex Cooper, the DS8000 offers many facilities including a dual redundant power supply, simple Outside Broadcast “one to many” split switching and 48V “safe“ functions to prevent tampering. Subtle panel lighting for dark under-stage environments and the option of adding an ADC card for integration into digital networks, plus bespoke new output transformers all combine to produce a package that enhances its predecessor’s reputation as a flexible, rugged high quality distribution system.

The 5 Series are powerful DSP based audio processors, combining the functions of a multitude of conventional products in a compact 1U unit with extensive remote control capabilities. The DP548 has four inputs and eight outputs which can be configured in a selection of standard crossover modes (2 x 4 way for example although they are not limited to these configurations). It also offers a “free assign” mode, which allows completely flexible routing of any output from any combination of inputs and a “matrix” mode which allows mixing of any input to output (as opposed to switching with fixed gain). Each input has a gain control, variable delay, a 28 band graphic equaliser and a further eight bands of fully parametric equalisation. The parametric filter bands have a large selection of different filter types available, including shelving, notch, band-pass, phase and elliptical behaviours. Three bands of dynamic EQ are also included on each input, which adapts its behaviour depending of the proximity of the level to a user-defined threshold. Each output has a gain control, variable delay, high and low pass crossover filters, nine bands of fully parametric equalisation, polarity switching, a fully featured compressor with variable knee, a flexible limiter, and a final clip limiter. The crossover filters offer slopes of up to 48dB/Octave, with a variety of responses available. Remote control is catered for in the form of RS232 and RS485 ports, and multiple user memories are provided for the storage and recall of settings. A GPI interface may also be fitted to allow remote memory recalls using simple switch closure apparatus. Security lock-out is available for all controls. The 5 Series are also equipped with AES/EBU digital inputs and outputs, and include sample rate conversion, capable of accepting digital audio from 32kHz up to 192kHz. Units can be controlled externally by XTA’s proprietary AudioCore Windows software, along with existing and future ‘AudioCore’ products.

The 5 Series are powerful DSP based audio processors, combining the functions of a multitude of conventional products in a compact 1U unit with extensive remote control capabilities. The DP544 has four inputs and four outputs which can be configured in a selection of standard crossover modes (2 x 2 way for example although they are not limited to these configurations). It also offers a “free assign” mode, which allows completely flexible routing of any output from any combination of inputs and a “matrix” mode which allows mixing of any input to output (as opposed to switching with fixed gain). Each input has a gain control, variable delay, a 28 band graphic equaliser and a further eight bands of fully parametric equalisation. The parametric filter bands have a large selection of different filter types available, including shelving, notch, band-pass, phase and elliptical behaviours. Three bands of dynamic EQ are also included on each input, which adapts its behaviour depending of the proximity of the level to a user-defined threshold. Each output has a gain control, variable delay, high and low pass crossover filters, nine bands of fully parametric equalisation, polarity switching, a fully featured compressor with variable knee, a flexible limiter, and a final clip limiter. The crossover filters offer slopes of up to 48dB/Octave, with a variety of responses available. Remote control is catered for in the form of RS232 and RS485 ports, and multiple user memories are provided for the storage and recall of settings. A GPI interface may also be fitted to allow remote memory recalls using simple switch closure apparatus. Security lock-out is available for all controls. The 5 Series are also equipped with AES/EBU digital inputs and outputs, and include sample rate conversion, capable of accepting digital audio from 32kHz up to 192kHz. Units can be controlled externally by XTA’s proprietary AudioCore Windows software, along with existing and future ‘AudioCore’ products.