Mixers
Modern live sound systems encompass more than just a conventional mixing console with lots of faders and knobs. In fact, they are complete modular systems consisting of a control surface, DSP engine, I/O racks and expansion cards for a broad range of applications and different project sizes.
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Stage 48 (48x24)
Non-Modular 48 I/O Stagerack als I/O Interface. It offers pristine audio clarity, and high-performance preamps in a fixed 48 x 24 analog configuration (48 in/ 24 out).
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Stage 32 (24x8)
Modular 32 I/O stagerack as I/O interface. The modular design of the stagerack allows the use of different I/O cards, up to 4 analogue or digital I/O cards can be used simultaneously.
The standard configuration includes 24 analogue inputs and 8 analogue outputs.
Avid
Stage 64 (48x8)
Modular 64 In/ 32 Out stagerack as I/O interface. The modular design of the stagerack allows the use of different I/O cards, up to 8 analogue or digital input cards and 4 analogue or digital output cards can be used simultaneously.
The standard configuration includes 48 analogue inputs and 8 analogue outputs.
Avid
S6L-24D
Digital control surface with 24+2 faders and three 12.1 touchscreens (2 x Channel Touch Module and 1 x Master Touch Screen) that can be read in daylight, as well as Master Live Module (MLM). The user interface has 64 (2 x 32) rotary encoders (push encoders), each with a high-resolution OLED.
Avid
S6L-48D
Digital control surface with 48+2 faders and six 12.1 touchscreens (5 x Channel Touch Module and 1 x Master Touch Screen) that can be read in daylight, as well as Master Live Module (MLM). The user interface has 160 (5 x 32) rotary encoders (push encoders), each with a high-resolution OLED.
Avid
S6L-32D
Digital control surface with 32+2 faders and four 12.1 touchscreens (3 x Channel Touch Module and 1 x Master Touch Screen) that can be read in daylight, as well as Master Live Module (MLM). The user interface has 96 (3 x 32) rotary encoders (push encoders), each with a high-resolution OLED.