The MAIA series bridges the gap between traditional zone mixers and enterprise DSPs, delivering powerful mixing and matrix processing in a form that is fast to deploy and easy to operate. Designed for corporate, education, retail, hospitality, and hotel environments, MAIA offers flexible audio control without the complexity typically associated with advanced DSP platforms. Built around a preconfigured architecture and fully integrated with AUDAC Touch, MAIA enables intuitive configuration and operation from day one. With scalable input and output options, smart mixing and processing tools, and seamless integration with local and remote IO devices, the MAIA series adapts effortlessly to installations of any size. Future software-based expansion ensures the platform grows alongside application needs, making MAIA a reliable and future-ready foundation for modern audio systems.

The MAIA series bridges the gap between traditional zone mixers and enterprise DSPs, delivering powerful mixing and matrix processing in a form that is fast to deploy and easy to operate. Designed for corporate, education, retail, hospitality, and hotel environments, MAIA offers flexible audio control without the complexity typically associated with advanced DSP platforms. Built around a preconfigured architecture and fully integrated with AUDAC Touch, MAIA enables intuitive configuration and operation from day one. With scalable input and output options, smart mixing and processing tools, and seamless integration with local and remote IO devices, the MAIA series adapts effortlessly to installations of any size. Future software-based expansion ensures the platform grows alongside application needs, making MAIA a reliable and future-ready foundation for modern audio systems.

The MAIA series bridges the gap between traditional zone mixers and enterprise DSPs, delivering powerful mixing and matrix processing in a form that is fast to deploy and easy to operate. Designed for corporate, education, retail, hospitality, and hotel environments, MAIA offers flexible audio control without the complexity typically associated with advanced DSP platforms. Built around a preconfigured architecture and fully integrated with AUDAC Touch, MAIA enables intuitive configuration and operation from day one. With scalable input and output options, smart mixing and processing tools, and seamless integration with local and remote IO devices, the MAIA series adapts effortlessly to installations of any size. Future software-based expansion ensures the platform grows alongside application needs, making MAIA a reliable and future-ready foundation for modern audio systems.

The MX190 is a 9-Channel mic/line mixer with 6 multi-purpose mic/line inputs, one dedicated microphone input and talk-over feature. All inputs feature EQ’s and Gain control. The balanced output is provided via Euroblock connector. Remote muting and emergency signal replay facilitate the use in installed sound systems.

The MAIA series bridges the gap between traditional zone mixers and enterprise DSPs, delivering powerful mixing and matrix processing in a form that is fast to deploy and easy to operate. Designed for corporate, education, retail, hospitality, and hotel environments, MAIA offers flexible audio control without the complexity typically associated with advanced DSP platforms. Built around a preconfigured architecture and fully integrated with AUDAC Touch, MAIA enables intuitive configuration and operation from day one. With scalable input and output options, smart mixing and processing tools, and seamless integration with local and remote IO devices, the MAIA series adapts effortlessly to installations of any size. Future software-based expansion ensures the platform grows alongside application needs, making MAIA a reliable and future-ready foundation for modern audio systems.

The DCM1e is a Ethernet version of the popular DCM-1 Digital Control Zone Mixer. The addition of an Ethernet port on the rear panel of the DCM1e allows its in-built Ethernet web-server to be connected via an RJ-45 socket to an independent or existing wireless router. This feature means the DCM1e can be configured and controlled remotely by any mobile device or PC connected to the network. Using the web browser of any mobile End Users have "limited installer defined" controls via simple and intuitive interface pages. Installers have administrator status via "Configuration Options" which are password protected. The DCM-1e provides any space-conscious sound installation with a high level of flexibility. It is ideal for contractors/installers who require flexible routing of line & mic signals. The analogue zoner, with its simple-to-use digital control interface, can be controlled remotely via multiple LCD digital controllers. Optional active input modules extend the flexibility further. The DCM-1e is a microprocessor controlled multi zoner. With traditional "installer friendly" analogue I/O and signal path, but giving the contractor the flexibility and adaptability of digital control the DCM-1e has the traditional simplicity of Cloud products, with far greater functionality.

The CONVERGE® Huddle is a professional audio DSP mixer that addresses today’s AV needs in huddle rooms and similarly sized meeting spaces. With CONVERGE Huddle, audio and video collaboration applications can be accomplished through a single cable connection to users’ Bring Your Own Devices (BYOD), such as laptops, tablets, and smartphones that run applications such as Spontania®, Skype®, Skype for Business, etc.

The Z8MK4 is a complete solution for multi-zone, multi functional venues. With the ability to accept an array of input sources such as MP3, Hardisc, CD, Video, Satellite etc., the Z8MK4 is an ideal choice. It has been developed specifically to meet these needs and can act as a user friendly master control for the entire sound system. Connecting the LM-2 or LM-2A active modules extends the versatility of the units allowing designers to provide simple, cost effective solutions to many customers' requirements that are difficult to achieve with other manufacturers' products. The Z8MK4 offers direct connection of up to six music sources, two microphones and a paging mic, all of which can be selected to operate in up to eight different output zones, in any combination. The MK4 version includes RJ45 THRU/IN terminals for simple connection of Cloud Digital Paging Microphones and the addition of four balanced inputs add to the flexibility and increased installer friendliness.

The GQ600 us a precision dual channel 1/3 octave graphic equaliser which provides up to 10dB of boost or cut at 30 centre frequencies between 25Hz and 20kHz. Filter design has been carefully optimised for good interpolation and improved narrow band performance, whilst high quality long-throw 45mm sliders are used for better resolution. The GQ600 also provides excellent noise and distortion performance, with a flat noise figure of better than-98dBm. A shelving HF Trim section is provided, with adjustable gain and frequency allowing fast adjustments to be made to overall high frequency response. This obviates the need for system re-voicing when, for example, changes in humidity or audience size occur. A sweepable high-pass filter offers turnover frequencies of 10Hz to 150Hz and a fixed frequency low-pass filter is also provided for increased H.F. driver protection. This filter is selectable in or out of circuit via jumper links on the main circuit board. Audio inputs and outputs are provided on lockable XLRs and are fully electronically balanced as standard. Optional transformer balancing is also available for both inputs and outputs. Additional features include; relay fail-safe bypass, peak level indicators and optional Perspex security cover. The GQ600 is sturdily constructed from high quality components and undergoes extensive testing and quality control procedures including a minimum 48 hours burn-in period prior to despatch.

The MTX88 is the eight-zone version of the MTX series, containing two balanced microphone inputs with priority function, phantom power possibility and three-band tone control. Four stereo line-level inputs are provided where to any line-level music source such as a CD-player, Tuner or MP3 player, ... can be connected. The other two inputs of the matrix are the additional wall panel inputs for both line and microphone signals. The MTX can be controlled by means of additional control panels, its fully functional web based interface or the iPhone/ iPad Remote app. The RS232 port makes the MTX compatible with any home & industrial automation systems supporting RS232. The front panel of the MTX shows a rotary button per zone with indication LEDs for accessing controls and settings. A built-in PFL loudspeaker makes it possible to pre-listen every channel without the need for a headphone. The balanced line-level zone output connections are performed using 3-pin Euro-terminal block connectors, each of them accompanied with an RJ45 connector for connecting additional wall panels for that zone. A 24 volts power connection makes it possible to keep the MTX running on emergency power, even if the main power is shut down.

The Cloud CX261 is a 1U rack-mounting audio mixer ideal for use in bars, restaurants and other leisure sector premises, also offices, hotels and other multi-use areas where simple control of high quality background music needs to be combined with a flexible range of paging options.

Audac's LUNA-U is the next generation audio matrix processor. It offers the highest flexibility for audio systems and is scalable from medium to large to the largest enterprise solutions. The internal structure offers unprecedented flexibility and a wide range of options for an audio routing and mixing system. The two powerful SHARC DSPs combined with 32-bit ADC and DAC converters enable extensive signal processing with outstanding audio quality. It has 12 analogue audio inputs and 8 analogue audio line outputs. The analogue inputs are switchable between microphone and line-level inputs and have enough headroom to process high-level audio signals without clipping or distortion. In addition, the Dante Option provides 32 Dante™/AES67 channel inputs and outputs, allowing the system to be integrated with Dante™/AES67-compatible environments. The internal structure allows complete flexibility in assigning the signal path to any of the 16 stereo (or 32 mono) zones, while the powerful DSP's provide resources for DSP functions such as ALC, WaveTune on all inputs and zones, WavePreset on all direct outputs, Audio Delay, Mixing, Talk Over, 4 Level Priorities.... and many more. Special paging features and compatibility with Dante™-based paging consoles make the system even more unique. The internal Linux core brings together all the control of this system and peripherals, and also hosts an internal messaging module, a timer scheduler module and implementation options for other Linux-based functions. In addition to full network control, other options such as RS-232 and RS-485 are also implemented. The entire system is controlled via the AUDAC Touch™ app, which also takes control of the entire system, including all compatible Audac devices and peripherals.

The DP648 builds on the legacy of the SIDD, C2, D2 processing, the XTA DP448 and DPA amplifiers. Providing ethernet control of this suite of IIR, FIR and dynamic processing essential for sound system management. The Dante/ AES67 option and flexible routing make it a comprehensive system processor, for overall system management or for traditional loudspeaker management. The DP648 works as a system processor for any audio system, the XTA system scales for more advanced control when partnered with other XTA products. This includes the MX36 console/source switcher, DPA and DNA amplifiers which come with or without dsp. The DP648 is equally suited to FOH racks as a system processor providing overall system management or located in amplifier racks as a more traditional crossover providing stereo 2, 3, 4+ way loudspeaker processing. The extensive XTA preset library makes this even easier. To deliver this precise control the DP648 has the full suite of classical IIR filters, phase, all pass and delay on both inputs and outputs, input dynamic eq and an extensive loudspeaker preset library containing both IIR and FIR setting . The DP648 has full front panel control, PC remote software control by Audiocore Amped edition. PC & MacOS control using globcon XTA MC² Edition. Full or partial locking of front controls is possible when required. Multiple DP648s can be elegantly controlled by fast software grouping, inputs and or outputs can appear in up to 32 groups, making complex systems easy to manage. Grouping is effectively a virtual 32 output processor across compatible amplifiers and processors.

The MTX48 is the four-zone version of the MTX series, containing two balanced microphone inputs with priority function, phantom power possibility and three-band tone control. Four stereo line-level inputs are provided to which any line-level music source such as a CD-player, tuner or MP3 player can be connected. The other two inputs of the matrix are the additional wall panel inputs for both line and microphone signals. The MTX can be controlled by means of additional control panels, its fully functional web based interface or the AUDAC Touch app. Using the freely available AUDAC Touch™ application for smart devices guarantees total system control and configuration from any device on any location and at any time. The RS232 port makes the MTX compatible with any home & industrial automation systems supporting RS232. The front panel of the MTX shows a rotary button per zone with indication LEDs for accessing controls and settings. A built-in PFL loudspeaker makes it possible to pre-listen every channel without the need for a headphone. The balanced line-level zone output connections are performed using 3-pin Euro-terminal block connectors, each of them accompanied with an RJ45 connector for connecting additional wall panels for that zone. A 24 volts’ power connection makes it possible to keep the MTX running on emergency power, even if the main power is shut down.

NIO series are Dante™/AES67 network I/O mixing breakout boxes featuring terminal block input and output audio and Bluetooth connections. The audio inputs can be switched between line-level and microphone-level audio signals and phantom power (+48 V DC) can be applied to the input connectors for powering condenser microphones. Various further integrated DSP functions such as EQ, automatic gain control, and other device settings can be configured through the AUDAC Touch™. The IP-based communication makes it future-proof while also being backwards compatible with many existing products. The NIO series is compatible with any PoE network-based installation thanks to the limited PoE power consumption. The networked I/O expanders are compatible with MBS1xx setup box installation accessories which allow them to be mounted under a desk, in a closet, on the wall, on top of a dropped ceiling or a 19” equipment rack.

The Cloud MX155 is a cost-effective, rackmounting (1U) stereo audio mixer for use in all types of commercial premises. It is simple to install and operate and provides a useful range of features and configuration options. The mixer has five primary channels, each of which has a balanced mic input and an unbalanced stereo line input: all connections are on the rear panel. There is a further stereo auxiliary line input, with both a balanced rear panel input and an unbalanced 3.5 mm TRS jack on the front panel allowing easy connection of tablets, laptops, etc. An additional, independent mic input channel is also routed to the main output; this channel features adjustable VOX detection to allow paging use, with voice-over-programme ducking. VOX threshold is adjustable via a rear panel preset control and the depth of ducking adjustable from the front panel. The front panel provides level and HF/LF EQ controls for each of the five main channels and the mic channel; a level control for the auxiliary line input is also fitted. 15 V phantom power is available at all mic inputs, selected by internal jumpers. The stereo output of the mixer is balanced: the front panel has an output level control and an LED bargraph meter. A rear panel switch converts the output for mono operation. Headphone monitoring of the main output is available on the front panel, with an independent headphone volume control. Installers can set the maximum level of the main output via a rear panel preset control, to prevent inadvertent overloading of power amplifiers or damage to loudspeakers. The mixer has an additional unbalanced stereo line output carrying the main mix: VOX ducking affects this output, but the level is independent of the master output level control. To aid compliance with PA-VA regulations, the MX155 has a dedicated emergency input (balanced): when a signal is detected at this input, all other inputs are muted and the emergency input routed directly to the mixer output. An internal jumper determines whether the mic channel should remain unmuted in this situation; this allows it to be used for announcements in an emergency. In common with most other Cloud products, a Music Mute control input is fitted; short-circuiting the terminals here will also activate the emergency muting circuitry.

NIO series are Dante™/AES67 network I/O mixing breakout boxes featuring terminal block input and output audio and Bluetooth connections. The audio inputs can be switched between line-level and microphone-level audio signals and phantom power (+48 V DC) can be applied to the input connectors for powering condenser microphones. Various further integrated DSP functions such as EQ, automatic gain control, and other device settings can be configured through the AUDAC Touch™. The IP-based communication makes it future-proof while also being backwards compatible with many existing products. The NIO series is compatible with any PoE network-based installation thanks to the limited PoE power consumption. The networked I/O expanders are compatible with MBS1xx setup box installation accessories which allow them to be mounted under a desk, in a closet, on the wall, on top of a dropped ceiling or a 19” equipment rack.

CONVERGE Pro 2 is the industry’s most advanced professional audio DSP platform for conferencing and sound reinforcement applications. It outperforms in any size room, audio environment, and application. A CONVERGE Pro 2 system can be expandet by deticated input and output units. The CONVERGE Pro 2 120 offers 12 inputs with AEC, USB audio; GPIO, RS232, IP control interfaces; and P-Link and C-Link expansion buses. The CONVERGE Pro 2 012 has 12 outputs, USB audio; GPIO, RS232, IP control interfaces; and P-Link and C-Link expansion buses. CONVERGE Pro 2 is optimized to work with the Beamforming Mic Array 2 and DIALOG® 20 2-Channel Wireless Microphone System through its native connection.

NIO series are Dante™/AES67 network I/O mixing breakout boxes featuring terminal block input and output audio and Bluetooth connections. The audio inputs can be switched between line-level and microphone-level audio signals and phantom power (+48 V DC) can be applied to the input connectors for powering condenser microphones. Various further integrated DSP functions such as EQ, automatic gain control, and other device settings can be configured through the AUDAC Touch™. The IP-based communication makes it future-proof while also being backwards compatible with many existing products. The NIO series is compatible with any PoE network-based installation thanks to the limited PoE power consumption. The networked I/O expanders are compatible with MBS1xx setup box installation accessories which allow them to be mounted under a desk, in a closet, on the wall, on top of a dropped ceiling or a 19” equipment rack.

The SPL-D2MKII is a sound-level display unit. This unit can be used as a stand-alone device, or it can be connected to the SPL5TS limiter. The display is built-up with hi-efficiency bi-color LEDs, so that it is clearly readable from a distance. When connected to the SPL5TS the display value is read from the SPL5TS limiter. The bar can be used as a soundlevel indication bar, or as an attenuation bar. When used as a stand-alone unit the measuring microphone must be connected. The display shows the actual measured value. When the value crosses the pre-defined level the display color switches from green to red. This can be used as an indication for a live-band. When using a measuring microphone three measuring curves can be selected (ANSI-A, ANSI-B, ANSI-C) and changed by using the SPL-D2MKII configuration software.

The PRE240 series preamplifiers are solutions for applications where a large number (up to 8) of microphones (or other mono balanced audio inputs) need to be mixed to four output zones. The multifunctional stereo design with a total of 10 inputs allows connection for any type of audio source such as microphones, Bluetooth devices or line level audio sources. Inputs one up to eight are balanced, allowing the connection of microphones or line level audio sources with the ability of enabling 48V phantom power to each input. They feature 3-band tone control and talk-over for priority announcements. The other two (9 and 10) inputs are unbalanced stereo line inputs allowing connection of any type of line level audio source. An integrated Bluetooth receiver and a front panel 3.5mm jack offers convenient wired or wireless connection possibilities for mobile and portable devices including laptops, smartphones and tablets. The front panel includes a master volume control with 2-band tone control and LED VU bar for each output. Each input section is accommodated with input mixing dials and output selection switches. A priority mute for each zone output suppresses all (non-priority) music sources in case of contact closure, allowing linking autonomous alarm systems.

The DS8000 is a 2U, 8 input to 32 output mic/line distribution system with 16 transformer balanced isolated outputs, and 16 electronically balanced outputs fitted as standard. Input transformers and replacement of the electronically balanced outputs with transformer balanced outputs are available as options. Featuring microphone pre-amps designed by Gottelier award winning Alex Cooper, the DS8000 offers many facilities including a dual redundant power supply, simple Outside Broadcast “one to many” split switching and 48V “safe“ functions to prevent tampering. Subtle panel lighting for dark under-stage environments and the option of adding an ADC card for integration into digital networks, plus bespoke new output transformers all combine to produce a flexible, rugged high quality distribution system.

The SPL2TS is the basic version equipped with time slots which guards the sound pressure level under all circumstances. It offers the most cost effective solution to sound level problems. The limiters’ microcontroller continuously measures the input-level and attenuates the output level as much as necessary to keep the sound level underneath the given threshold. Because the SPL-limiters are no peak limiters the dynamics of the music remains unchanged. The SPL2TS has the ability to adjust the sound-level (actual output-level) and the threshold (input sensitivity). All the connectors, the sound-level and threshold controller are inaccessible after the limiter is sealed. The SPL2TS has a built in clock/ timer. This makes it possible to program a completely different sound level at different periods of the day. The built in calendar allows you to program a list of 10 dates to switch the limiter to bypass automatically. All these settings can be adjusted by using the PC-software. But before it becomes possible to make any changes this software has to be registered; this makes it impossible for un-authorised people to alter the limiters configuration. This limiter is recommended as ‘the best’ by an increasing number of professional sound system installers.

The CX263 is the ideal solution for leisure, licensed and retail venues. This compact unit has 6 line level inputs and 2 mic inputs with paging microphone access on Mic 1. The CX263 has one stereo and two mono zones. The line inputs and mics can be independently routed to any output zone via the front panel controls, alternatively the music signals on each zone can be controlled remotely by the RL-1 (level only) or RSL-6 (source and level). Additional remote control functions can be provided by the optional serial interface card (RS232) CDI-S200 shown fitted on the rear panel which can control the music level and source on each zone, access for Mic 1 on each zone, and access for Mic 2 on each zone. This compact unit is easy to install and operate but has the flexibility to provide a solution for many differing environments.