Spare measurement microphone for the SPL-D2, SPL3, SPL3TS and SPL5.

The DATEQ TRI-O is a 19 mixer with six channels. It is particularly recommended for use in the hospitality industry, dance schools, conference centers, etc. The TRI-O has two microphone inputs and 9 stereo line inputs. Channel 1 offers a TalkOver circuit to improve the voice quality. This circuit is controlled by the microphone signal in channel 1 and ensures that this signal has priority over all others. The TalkOver function can be globally deactivated via the TalkOver button on the front panel. Three output zones are available ex works (Master A, Master B and Master C). These zones each have a 2-band equalizer as well as a balance and gain control. All outputs are provided via electronically balanced XLR and unbalanced RCA sockets. The balanced output allows the use of long signal cables.

Each room or zone can be equipped with an Audio Uplink MRA unit. Speeches, meetings or lectures can be reinforced without the cumbersome installation of P.A.-equipment. Just connect a cabled or a wireless microphone to the MRA input and select the local audio input on the MRC-controller. Besides it is possible to connect a (balanced) line source to the audio input. This makes it possible to connect a DVD-player, or a laptop when giving a presentation. The MRA audio input is available in white or grey.

The SRL-1 is build as relay extension box for the SPL3, SPL3TS, SPL5 and SPL-D2 display. When linked to the SPL3, SPL3TS or SPL5, the SRL-1 will slave to the active state of the limiter and allows a warning light and power cut out on exceeding the pre-set sound level. Linked to the SPL-D2, the SRL-1 allows to act as a circuit breaker when exceeding the preset sound level. Before switching off power a warning light signals the user during sanction delay. When the sanction reset time has reached the SRL-1 will restore power.

For end-user the Master Paging Console is the main unit of the MusiCall system. Two consoles can be connected to one system. Placed at the front desk or at the security lodge, individual zones can be addressed via the panel. Furthermore two zone groups can be assigned to address groups of zones. A selectable chime is implemented to lead a message.

For end-user the Master Paging Console is the main unit of the MusiCall system. Two consoles can be connected to one system. Placed at the front desk or at the security lodge, individual zones can be addressed via the panel. Furthermore two zone groups can be assigned to address groups of zones. A selectable chime is implemented to lead a message.

The Musicall paging system is an audio distribution system, capable of distributing multiple sources into 8 or up to 16 independent zones. Using the control units (MRC) or the internal webpage, each zone can remotely select it’s own audio source and volume setting. The MAX8.8 is the standard central matrix. It provides 8 stereo/mono zones, 8 stereo / 16 mono RCA inputs and optional 8 local audio inputs. Each can be equipped with it’s own MRC wall controller and MRA local audio input. The Matrix can be easily configured using the internal webserver and configuration interface. The configuration interface allows easy adjustments of input sensitivity and equalizer settings, source and program names and system power up defaults. MAX8.8 is configurable for nearly all applications where Paging and Music is needed.

The Musicall paging system is an audio distribution system, capable of distributing multiple sources into 8 or up to 16 independent zones. Using the control units (MRC) or the internal webpage, each zone can remotely select it’s own audio source and volume setting. The MAX8.8D is the DAB+ central matrix. It provides 8 stereo / mono zones, 3 stereo / 6 mono RCA inputs and optional 8 local audio inputs. Each can be equipped with it’s own MRC wall controller and MRA local audio input. The Matrix can be easily configured using the internal webserver and configuration interface. The configuration interface allows easy adjustments of input sensitivity and equalizer settings, source and program names and system power up defaults. MAX8.8D is equipped with a quadruple DAB+/ FM and web stream tuner. It not only allows to receive DAB+ and FM radio stations, but also gives the option to pre listen all audio sources available within the matrix. The DAB+ and FM tuner is equipped with a 3.5 resistive touch panel to ensure easy control. MAX8.8D is configurable for nearly all applications where Paging and Music is needed.

The Musicall paging system is an audio distribution system, capable of distributing multiple sources into 8 or up to 16 independent zones. Using the control units (MRC) or the internal webpage, each zone can remotely select it’s own audio source and volume setting. The MAX8.16 is the standard central matrix. It provides 8 stereo / 16mono zones, 8 stereo / 16 mono RCA inputs and optional 16 local audio inputs. Each can be equipped with it’s own MRC wall controller and MRA local audio input. The Matrix can be easily configured using the internal webserver and configuration interface. The configuration interface allows easy adjustments of input sensitivity and equalizer settings, source and program names and system power up defaults. MAX8.16 is configurable for nearly all applications where Paging and Music is needed.

The Musicall paging system is an audio distribution system, capable of distributing multiple sources into 8 or up to 16 independent zones. Using the control units (MRC) or the internal webpage, each zone can remotely select it’s own audio source and volume setting. The MAX8.16D is the DAB+ central matrix. It provides 8 stereo / 16mono zones, 3 stereo / 6 mono RCA inputs and optional 16 local audio inputs. Each can be equipped with it’s own MRC wall controller and MRA local audio input. The Matrix can be easily configured using the internal webserver and configuration interface. The configuration interface allows easy adjustments of input sensitivity and equalizer settings, source and program names and system power up defaults. MAX8.16D is equipped with a quadruple DAB+/ FM and web stream tuner. It not only allows to receive DAB+ and FM radio stations, but also gives the option to pre listen all audio sources available within the matrix. The DAB+ and FM tuner is equipped with a 3.5 resistive touch panel to ensure easy control. MAX8.16D is configurable for nearly all applications where Paging and Music is needed.

DATEQ MAC808 is an All-in-One unit that combines all necessary functions with a 8-way Matrix and 8-Power Amplifiers each 30W. The MAC808 audio distribution system can control up to eight audio sources ans four internal FM-tuners and distribute it over up to eight amplified zones. Using the MRC wall controllers every zone can be controlled from the room, selecting the audio level and source. The MAC808 can be remotely controlled using a PC or laptop by connecting the MAC808 to a local network. Using the internal webserver the MAC808 can be fully configured. MAC808 is a complete solution for offices, in the workshop, hospitals, retirement home, Dentals etc. Everywhere a compact installation is needed for Listening music, Background music or Music for Masking purposes. Paging makes the system complete.

The LPM7.4 is a very versatile, 7 channel stereo mixer with an extraordinary high quality. At least 14 stereo signals and 7 microphones can be connected simultaneously. Herewith the LPM7.4 is introducing a new standard for professional audio. Each channel can handle three different audio signals. By pressing the button you can switch between a microphone or a line input. When the line-input is selected a second button makes it possible to switch between line 1 and line 2 input. However channels 3, 4 and 5 have one line and one phono-input. This means you can have 21 audio-inputs within reach! Another typical professional application is the balanced stereo master output on a XLR-Male connector; besides this connector there is a cinch-connector. Another nice feature of the mixer is the stereo effect-send. Each channel can be configured to send it’s signal to the effect-send output or not. This means that the effect-send output can also be used as a cleanfeed. The large 2x40 segment VU-meter is switchable between master and PFL. All switches on the master-section have a LED-indicator. The 48V phantom power is available on each microphone channel, and can be switched on with an internal jumper. Thanks to the internally modular setup, the extreme solid construction and by using only high-performance components we made the LPM7.4 an ideal partner for ‘on the road’. Of coarse the LPM7.4 has the specific characteristics of a ‘real DATEQ mixer’, which means years of satisfactory mixing! Because of the universal design the LPM7.4 has a wide area of applications. A perfect house-mix, AV-post production, disco or a multifunctional audio installation: The LPM7.4 can handle it!

The DATEQ Crew is a seven channel 19-inch mixer. It is highly suitable for use in pubs, dancingschools, conference centres etc. The Crew is equipped with three microphone inputs and 11 stereo-line inputs. Channel 1 has a talk-over circuit to improve the speech intelligibility. This circuit, which is triggered by the microphone signal from channel 1 (i.e. it is voice-activated), ensures that this signal overrides all others. The talk-over function can be disabled with the TalkOver switch on the front. By default two output zones are available (master A and master B). These zones have a dual equalizer, balance and gain-control. In addition a maximum of four output modules (outputs zones) can be added. The volume of these additional zones is externally adjustable (with a potentiometer or an external regulation voltage). Master A output is electronically balanced on XLR and unbalanced on cinch connectors. The balanced output makes it possible to use long signal-cables so that the amplifiers can be placed near to the speakers. Master B and the optional output zones are equipped with unbalanced cinch connectors.

The SPL-EXT3 is a Multi color extension display that can be linked to the SPL-D3, SPL5 MK2 and SPL6 limiters. The display will show in green, orange or red the measured sound levels of the connected limiter. The unit is plug and play ready and only needs the correct configuration in the linked limiter software.

The SPL-D3 is an advanced audio level display that stores the sound level samples for at least twelve months. The sound level samples can be viewed using the configuration software or externally stored through on a USB FAT32 drive. Other important data is also stored like powering up, sanctions or possible tampering. Using the configuration software the SPL-D3 can be read out and adjusted. On release Windows 7 platforms and later are supported. All users can only view settings and logging. To adjust configuration settings an additional password and license file is required. To connect to the SPL-D3 a windows computer with USB support is required. The SPL-D3 uses a measurement microphone to determine the actual sound level. When measurement shows the sound levels are about to exceed, the display will change from green to orange and red when levels are actually exceeded. The special calender functions allow for different sound levels during the day and year. With the special SRL-1 circuit breaker an external warning light can be connected along the the main power supply for example the DJ booth monitor. This way the maximum sound level is always insured without touching the sound quality. Theatre mode disables the display while sound level is normal. Only on (possible) exceeding the maximum set sound level, the display will turn on again.

The SPL-D2MKII is a sound-level display unit. This unit can be used as a stand-alone device, or it can be connected to the SPL5TS limiter. The display is built-up with hi-efficiency bi-color LEDs, so that it is clearly readable from a distance. When connected to the SPL5TS the display value is read from the SPL5TS limiter. The bar can be used as a soundlevel indication bar, or as an attenuation bar. When used as a stand-alone unit the measuring microphone must be connected. The display shows the actual measured value. When the value crosses the pre-defined level the display color switches from green to red. This can be used as an indication for a live-band. When using a measuring microphone three measuring curves can be selected (ANSI-A, ANSI-B, ANSI-C) and changed by using the SPL-D2MKII configuration software.

The SPL3 is a limiter with a microcontroller continuously measureing the input-level and attenuating the output level as much as necessary to keep the sound level below the given threshold. The SPL3 has the ability to adjust the sound-level (actual output-level) and the threshold (input sensitivity). It also features a dedicated microphone input for the included measuring microphone. With the microphone connected the SPL3 has the possibility to measure the audio-level from live-bands etc. This measuring microphone makes the SPL3 the ideal limiter for live performances where the band uses its own PA system. When, in live mode, the sound-level exceeds the threshold, the limiter can give a warning to the band (with a flashing light). If the sound-level remains too loud for a longer period of time the limiter will activate the sanction output and can, if desired, cut-off the mains supply of the band. All the connectors, the sound-level and threshold controller are inaccessible after the limiter is sealed.

The SPL3TS is a limiter with a microcontroller continuously measureing the input-level and attenuating the output level as much as necessary to keep the sound level below the given threshold. The TS version is equipped with a timer for time based level control. The SPL3TS has the ability to adjust the sound-level (actual output-level) and the threshold (input sensitivity). It also features a dedicated microphone input for the included measuring microphone. With the microphone connected the SPL3TS has the possibility to measure the audio-level from live-bands etc. This measuring microphone makes the SPL3TS the ideal limiter for live performances where the band uses its own PA system. When, in live mode, the sound-level exceeds the threshold, the limiter can give a warning to the band (with a flashing light). If the sound-level remains too loud for a longer period of time the limiter will activate the sanction output and can, if desired, cut-off the mains supply of the band. The SPL3TS has a built in clock/ timer. This makes it possible to program a completely different sound level at different periods of the day. The built in calendar allows you to program a list of 10 dates to switch the limiter to bypass automatically. All these settings can be adjusted by using the PC-software. But before it becomes possible to make any changes this software has to be registered; this makes it impossible for un-authorised people to alter the limiters configuration. All the connectors, the sound-level and threshold controller are inaccessible after the limiter is sealed.

The SPL5 MKII can be used in live-situations to monitor the audio level produced by a live-band, and sanction is necessary by cutting off the mains voltage or give an optical indication to the band. In a non-live situation, so music played over the PA-equipment the SPL5 is inserted after the mixer, and before the amplifiers. It uses the microphone to determine the audio level, and attenuates the output level is required. The SPL5 stores the sound-level data, and event history over a period of two months. Besides a limiter the SPL5 acts as a decibell logger. With the PC-software the limiters memory can be read out. Configuring the limiter is done with the same software. But before it becomes possible to make any changes this software has to be registered; this makes it impossible for un-authorised people to alter the limiters configuration. This PC-software makes it possible to control the limiter over a computer-network, and even over the Internet!

The SPL2TS is the basic version equipped with time slots which guards the sound pressure level under all circumstances. It offers the most cost effective solution to sound level problems. The limiters’ microcontroller continuously measures the input-level and attenuates the output level as much as necessary to keep the sound level underneath the given threshold. Because the SPL-limiters are no peak limiters the dynamics of the music remains unchanged. The SPL2TS has the ability to adjust the sound-level (actual output-level) and the threshold (input sensitivity). All the connectors, the sound-level and threshold controller are inaccessible after the limiter is sealed. The SPL2TS has a built in clock/ timer. This makes it possible to program a completely different sound level at different periods of the day. The built in calendar allows you to program a list of 10 dates to switch the limiter to bypass automatically. All these settings can be adjusted by using the PC-software. But before it becomes possible to make any changes this software has to be registered; this makes it impossible for un-authorised people to alter the limiters configuration. This limiter is recommended as ‘the best’ by an increasing number of professional sound system installers.

The SPL6 is an advanced audio level limiter that stores the sound level samples for at least twelve months. The sound level samples can be viewed using the internal web pages or externally stored through automatic email. Other important data is also stored like powering up, sanctions or possible fraud attempts. Using the web interface the SPL6 can be read out and adjusted. There is no separate platform depended software required. All users can only view settings and logging. To adjust configuration settings an additional password and license file is required. To connect to the SPL6 a computer or tablet must be equipped with a network connection. When connected to a network or the Internet, the SPL6 can be remotely monitored. The SPL6 uses a measurement microphone to determine the actual sound level. When measurement shows the sound level exceeding the maximum set level, it will reduce slowly the full sound spectrum to the maximum allowed level. In multiband mode the SPL6 will slightly reduce the single frequency band before adjusting the full spectrum. With the special correlation detection the SPL6 detects external noise pollution and can ignore for example applauding or screaming audience. This way the maximum sound level is always insured. The special calender functions allow for different sound levels during the day and year.

The SPL2 is a basic limiter which guards the sound pressure level under all circumstances. It offers the most cost effective solution to sound level problems. The limiters’ microcontroller continuously measures the input-level and attenuates the output level as much as necessary to keep the sound level underneath the given threshold. Because the SPL-limiters are no peak limiters the dynamics of the music remains unchanged. The SPL2 has the ability to adjust the sound-level (actual output-level) and the threshold (input sensitivity). All the connectors, the sound-level and threshold controller are inaccessible after the limiter is sealed. This limiter is recommended as ‘the best’ by an increasing number of professional sound system installers.

The MRC-4 control panel can be used in places where in-wall installation with electricity boxes is not possibile. The unit can be screwed onto the wall, and the wiring can be hidden in a cable duckt. The 2x 12 character LCD screen shows the actual volume, and the music source. When using the DAB+ or FM tuners, it is possible to show the radio-stations RDS information. MRC4 is available in white or grey

The MRC-3 control panel can be build-in into a standard European electricity box. This makes the controller extreme flat: the unit is only 9mm thick! The 2x 12 character LCD screen shows the actual volume, and the music source. When using the DAB+ or FM tuners, it is possible to show the radio-stations RDS information. MRC3 is available in white or grey.